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Glissant’s exposition and creative development of the concept of rhizome—and all attendant conceptions of times, memory, history, and the nomadic—gives his Poetics of Relation particular complexity. The problematic is really quite straightforward: what and who is the subject? The primary aim – even hope – of Glissant’s work is to produce or render a sense of Caribbeanness, a Caribbean subjectivity, which is something Fanon did not (could not?) accomplish. Why not Fanon? Fanon was the first to live his thinking, to paraphrase Glissant, and this “living” of his thinking delimits his theorizing of subjectivity. Now, Glissant’s remark sounds like praise of militancy, a kind of he-really-means-what-he-says admiration, but Glissant means here to underscore the fact that Fanon returned to Africa – both as a theorist and as an activist. Fanon, then, was seeking Africa, a root, a mother, a home. His work on negritude certainly gives plenty of evidence for Glissant’s remark. Read the rest of this entry »
